- 相關推薦
淺論和聲半音化的色彩及調性
畢業(yè)論文
摘 要
本文分別從色彩和調性兩個方面來闡述20世紀前歐洲和聲半音化。筆者著重從每個時間階段色彩的表現作用、譜例分析及調性的變化發(fā)展來說明其變化過程。從而分析出在半音化手法中色彩與調性是1對矛盾體，它們相互對立、相互統(tǒng)1。通過對色彩與調性關系的了解，創(chuàng)作者可以根據不同的音樂風格特征，運用不同的表現手法。從而達到更好、更具創(chuàng)新的作品。
關鍵詞：半音化；偽樂；離調性半音化；旋律性半音化；和聲性半音化
ABSTRACT
The essay expounds chromatic development for harmony before 20th in Europe from two aspects of tone color and tonality. Writer keeps focus on displaying effects of tone color. Example-analyzing and developing of tonality for each period to show its developing course. From which writer analyze and know that both tone color and tonality in chromatic technique are self-contradictory. Both of them contradict and unify each other. By way of understanding the relationship between color and tonality. Composer can achieve better and more original works by employing different expressing way. Based on different feathers of musical style.
Key words: Chromaticism; music false; Semitone before suiting well; Melody of sexual halftone; Harmony of nature halftone
【淺論和聲半音化的色彩及調性】相關文章：
淺論城市色彩的現狀與意義08-01
淺論設計色彩及其表現方法09-22
淺論軟件界面設計中的色彩運用08-10
淺論人性化的產品形態(tài)設計10-08
淺論我國不同哲學觀念下的色彩審美10-29
淺論戶縣農民畫中色彩選擇的文化內涵09-06
淺論傳統(tǒng)中國畫色彩與當代價值08-29
淺論色彩寫生中畫面整體性的把握09-26
淺論企業(yè)中實現人本化管理的渠道10-13
淺論園林綠地工程建設的規(guī)范化06-13